Product Description

"A sexy, magical romp, sure to bring de la Cruz a legion of new fans."
--Kelley Armstrong, New York Times bestselling author of The Otherworld series

From the author of the highly addictive and bestselling Blue Bloods series, with almost 3 million copies sold, comes a new novel, Melissa de la Cruz's first for adults, featuring a family of formidable and beguiling witches.

The three Beauchamp women--Joanna and her daughters Freya and Ingrid--live in North Hampton, out on the tip of Long Island. Their beautiful, mist-shrouded town seems almost stuck in time, and all three women lead seemingly quiet, uneventful existences. But they are harboring a mighty secret--they are powerful witches banned from using their magic. Joanna can resurrect people from the dead and heal the most serious of injuries. Ingrid, her bookish daughter, has the ability to predict the future and weave knots that can solve anything from infertility to infidelity. And finally, there's Freya, the wild child, who has a charm or a potion that can cure most any heartache.

For centuries, all three women have been forced to suppress their abilities. But then Freya, who is about to get married to the wealthy and mysterious Bran Gardiner, finds that her increasingly complicated romantic life makes it more difficult than ever to hide her secret. Soon Ingrid and Joanna confront similar dilemmas, and the Beauchamp women realize they can no longer conceal their true selves. They unearth their wands from the attic, dust off their broomsticks, and begin casting spells on the townspeople. It all seems like a bit of good-natured, innocent magic, but then mysterious, violent attacks begin to plague the town. When a young girl disappears over the Fourth of July weekend, they realize it's time to uncover who and what dark forces are working against them.

With a brand-new cast of characters, a fascinating and fresh world to discover, and a few surprise appearances from some of the Blue Blood fan favorites, this is a page-turning, deliciously fun, magical summer read fraught with love affairs, witchcraft, and an unforgettable battle between good and evil.

About the Author

Melissa de la Cruz is the author of the New York Times and USA Today bestselling series Blue Bloods, which has three million copies in print. She is a former journalist who has contributed to many publications, including Glamour, Cosmopolitan, Harper's Bazaar, Allure, and Marie Claire. She spent many summers on Shelter Island, which served as the inspiration for the fictional town of North Hampton. She lives in Los Angeles and Palm Springs with her family and is hard at work on the second book in the Beauchamp Family series.

From Publishers Weekly

This companion volume to Frank Herbert's 1965 science fiction classic collects manuscript material, correspondence and cut chapters related to Dune as well as previously published Dune-related short stories coauthored by his son Brian and Kevin J. Anderson. Particularly interesting are texts related to Dune's publication, including letters, reviews and press releases that acknowledge the dizzying scope of the ambitious novel. Its length meant that Herbert had a hard time placing it, and he ended up selling it to automotive-guide publisher Chilton, but its publication-and the awards it won-ushered in a new era for science fiction publishing. The sheer novelty of Dune stands in contrast to B. Herbert and Anderson's Spice Planet, an alternate Dune novelette constructed from Herbert's original notes and a by-the-numbers action-adventure of interest only in contrast to the book Herbert ultimately wrote. Three of B. Herbert and Anderson's short stories bridge some of the events in their coauthored novel prequels; the fourth takes place during one of the battles in Dune and provides an interesting point-of-view switch. Although this miscellany of material fails to cohere, the glimpse it provides into Herbert's thoughts and the difficulty of writing and publishing illuminate one of the most important SF novels ever published.
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From

This collection of essays, stories, and selections from Herbert's papers will certainly be high-priority reading for Dune fans. It includes two versions of Spice Planet, an unpublished novel containing many elements that later appeared in Dune, but that is a separate story. Of particular interest are the communications between Herbert, John Campbell, and others during and after the release of Dune and unpublished sequences from Dune and Dune Messiah. The collection also includes four short stories laid in the Butlerian Jihad era. Dune was a social and publishing phenomenon; it moved sf into general publishing (and marketing) awareness and spurred a wide public awareness of ecological balance. This account of its genesis should interest fans and students of popular culture. Frieda Murray
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