Ragged armies and gods old and new collide in the dizzyingly complex penultimate tale of the Malazan Book of the Fallen (following 2008's Toll the Hounds). After a traumatic reading of the tiles, Adjunct Tagore of the Malazan decides to quit the Letherii capital. To placate neighboring territories, Brys Beddict and a contingent of Letherii escort Tagore and her army through the Wastelands on their way to the port of Kolanse. The Barghast find their own reasons to head for the Wastelands, as do the T'lan Imass, a group of bloodthirsty Jaghut, and the army of the K'Chain Che'Malle. Gods tweak the players on this continent-sized chess board even as they themselves are manipulated. Erickson begins to reel in the long lines of his huge plot, giving enough hints to leave readers impatient for the 10th volume. (Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
In the ninth Malazan Book of the Fallen volume, the last remnant of the Malazan Empire, in exile on the continent of Letherii, marches east against unknown but undoubtedly formidable foes. If the soldiers see themselves and their empire as fallen, they even more certainly see themselves bound by oaths and comradeship to keep faith with one another until the last enemy is identified, met, and, if possible, overcome. If not, their oaths are still binding. There is herein a quality reminiscent of the 300 Spartans coming to the fore that, added to the complexity and grandeur of the world-building, is downright enthralling. --Roland Green
You can't lose for winning--especially, it would seem, if you're Joe Haldeman. Suffering the same fate as many an author who's dared to pen unconventional sequels to a ferociously loved book (in this case, ), Haldeman has risked the ire of his many devoted admirers a second time (the first sequel was the award-spangled ). But Haldeman's call--not too surprisingly--proves to be a deft one, giving us a book that, while significantly different from its predecessor, turns out to be equally captivating and sensitive, in many ways even more thought-provoking. (Sure, it doesn't match The Forever War for sheer impact, but then again, what does?)
As in The Forever War, the heart of this story is the dry, ironic bite of fighting-suit vet William Mandella, now middle-aged and a parent (along with his love and comrade-in-arms Marygay) to two teen-aged kids. The family leads a spartan life on the cold and desolate planet Middle Finger, which serves as a sort of genetic safe-deposit box for the current incarnation of humanity, an inhuman race of group-mind clones known as Man. But the animals in the zoo are getting restless, and a core group of vets led by William and Marygay plot an unusual escape: hijacking a reconditioned time ship and using it to take a 40,000 light-year tour (over 10 years of their own time) to rejoin the world they know only after 2,000 generations have passed. Much of the action involves the hatching and fruition of this plot, but Haldeman doesn't really mix things up until nearing the end, when he dissolves physics as we know it and calls down the wrath of God itself. --Paul Hughes
In this long-awaited sequel to The Forever War, Haldeman describes the postwar life of retired soldiers William and Marygay Mandella on the half-frozen planet Middle Finger, where they and other humans have been secluded by the newly evolved, superhuman race of Man. The long war with the Taurans is over and William and company are little more than relics, kept around to provide archaic genes should the Man ever wish to alter their own, cloned near-perfection. Dissatisfied with their stagnant lives, William and his fellow vets steal a starship. They plan to travel so far and fast that time dilation will allow them to return only a decade older but millennia in their world's future. Disaster strikes just days into their voyage, however, when their antimatter engines mysteriously malfunction in direct violation of the laws of physics. Returning home in escape craft, Mandella and his mates discover that everyone on the planet has disappeared, leaving only their clothes behind. Further, all communication with the outside universe has been cut off. Despite a slow start, Haldeman builds considerable tension with the mystery that confronts his human survivors of what appears to be the complete disappearance of not only humanity, but also of Man and the Taurans. Some truly weird events have occurred and Haldeman gives them a genuinely spooky feel. Mandella's laconic narrative, so effective in getting across The Forever War's antiwar message, proves just as effective in this sequel. The novel is weakened, however, by what feels like an overly hasty conclusion, burdened by Haldeman's decision to invoke not one but two deus ex machinae in the book's final chapters. Still, this is a well-written and worthy sequel to one of SF's enduring classics. (Dec.) FYI: Haldeman's The Forever War (1974) and Forever Peace (1997) each won both the Hugo and Nebula awards for best SF novel. Copyright 1999 Reed Business Information, Inc.
Old pro Haldeman (_Camouflage_) has a gift for seeing issues in a sympathetic but dispassionate perspective, as shown by the 15 tales in this collection. How can we live as human beings in an uncaring universe? he asks. The title story returns to the conclusion of the Hugo- and Nebula-winning novel The Forever War as seen by another character, discovering uncomfortable but ultimately encouraging things about our capacity to adapt and endure. Other selections, such as "Finding My Shadow" and "Civil Disobedience," are much bleaker, as they angrily extrapolate trends in American politics and our abuse of the environment. Set on a far future Earth, "For White Hill" is one of the most memorable tragic love stories ever written as SF. While the book includes a few minor pieces, notably two early stories that contain the basis for Camouflage, Haldeman's work is never less than clever and sometimes much more. (Aug.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
A Separate War serves both as an introduction to and partial "best-of" collection of the talented Joe Haldeman, winner of the Hugo and Nebula awards. Thought provoking, entertaining, witty, and subversive, these stories—while outlandish in plot and premise—never fail to focus on humanity's hopes, dreams, and foibles as they play out during wartime. Critics agree that the best stories in the collection include "Out of Phase," "A Separate War," "For White Hill," and "Finding My Shadow," about racism and germ warfare in Boston. A few, including "Diminished Chord" and "Memento Mori," about nanotechnology, felt lightweight in comparison. If by no means complete, Haldeman's latest collection, notes the St. Louis Post-Dispatch, makes "an ample case for his being considered one of science fiction and fantasies' stalwarts for years to come."
Copyright © 2004 Phillips & Nelson Media, Inc.
In the 1970s Joe Haldeman approached more than a dozen different publishers before he finally found one interested in The Forever War. The book went on to win both the Hugo and Nebula Awards, although a large chunk of the story had been cut out before it saw publication. Now Haldeman and Avon Books have released the definitive version of The Forever War, published for the first time as Haldeman originally intended. The book tells the timeless story of war, in this case a conflict between humanity and the alien Taurans. Humans first bumped heads with the Taurans when we began using collapsars to travel the stars. Although the collapsars provide nearly instantaneous travel across vast distances, the relativistic speeds associated with the process means that time passes slower for those aboard ship. For William Mandella, a physics student drafted as a soldier, that means more than 27 years will have passed between his first encounter with the Taurans and his homecoming, though he himself will have aged only a year. When Mandella finds that he can't adjust to Earth after being gone so long from home, he reenlists, only to find himself shuttled endlessly from battle to battle as the centuries pass. --Craig E. Engler
"To say that The Forever War is the best science fiction war novel ever written is to damn it with faint praise. It is, for all its techno-extrapolative brilliance, as fine and woundingly genuine a war story as any I've read."--William Gibson, author of _Neuromancer, Spook Country
_"There are a handful of moments when an American science fiction novel abruptly and seemingly effortlessly satisfied every possible expectation conveyed not only by the genre's ambitions, but of those of the whole literary landscape with which it was contemporary: Sturgeon's More Than Human, Dick's The Man In The High Castle, LeGuin's Dispossessed, Gibson's Neuromancer. The Forever War is one such book, and like those others still carries with it that air of recognition and possibility."--Jonathan Lethem, author of _Gun With Occcasional Music, Fortress of Solitude
_"Perhaps the most important war novel written since Vietnam . . . Haldeman, a veteran, is a flat-out visionary . . . and protagonist William Mandella's attempt to survive and remain human in the face of an absurd almost endless war is harrowing hilarious heartbreaking and true . . . like all the best works of literature THE FOREVER WAR takes you apart and then, before you can turn that last page, puts you back together: better, wiser, more human. Simply extraordinary." --Junot Diaz, Pulitzer Prize winning author of _The Brief and Wondrous Life of Oscar Wao
_"If there was a Fort Knox for Science Fiction writers, we'd have to lock Joe Haldeman up."--Stephen King, author of _The Shining, The Dead Zone, The Stand
"The Forever War_ is not just a great Science Fiction novel, it's a great Vietnam war novel - and a great war novel, without qualification- that is also Science Fiction. A classic to grace either genre."--Iain M. Banks, author of _Use of Weapons, The Player of Games, Matter
_"FOREVER WAR is brilliant--one of the most influential war novels of our time. That it happens to be set in the future only broadens and enhances its message."--Greg Bear, author of _Moving Mars, Eon, The Forge of God
_“A parable whose lessons are needful learning once more.”--John Scalzi, author of _Old Man’s War, The Ghost Brigades, Zoe’s Tale
_"I first read this twenty years ago and have never forgotten the wonder and fury it kindled at the time. Anyone who talks about the glory of war has obviously never read it. A beautifully detailed and intensely personal account of a conflict which lasts for over a thousand years, as told by one grunt who lives through it all. Only a writer as skillfull and knowledgeable as Haldeman could use war's dark glamour to lure the reader in and then deplou the sam fascination to show just what kind of effect this orchestrated barbarism can have on the human soul."--Peter F. Hamilton, author of _Pandora’s Star, Judas Unchained, The Dreaming Void
_“In a literature of ideas, The Forever War is a titan: a book filled with mind-bending ideas about relatavistic time-distortion and world-shaking ideas about the futility of war. In today's world, where we think declaring war on abstract nouns like TERROR is a winning strategy, we need THE FOREVER WAR."--Cory Doctorow, author of _Down and Out in the Magic Kingdom, Little Brother X
_“It is to the Vietnam War what Catch-22 was to World War II, the definitive, bleakly comic satire.”--Thomas M. Disch, author of _Camp Concentration, 334
"The Forever War_ does what the very best science fiction does. It deals with extremes both societal and teleological; it places a frame around humankind's place in the universe to show us what is outside the frame; and it functions simultaneously at the literal and metaphorical level. Inarguably one of the genre's great novels, it is also among the finest novels ever written about war."--James Sallis, author of The Long Legged Fly, Drive, Cripple Creek
EDITORIAL REVIEW: “The end was near.” —Voices from the Zombie WarThe Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. *World War Z* is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War. Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.Eyewitness reports from the first truly global war“I found ‘Patient Zero’ behind the locked door of an abandoned apartment across town. . . . His wrists and feet were bound with plastic packing twine. Although he’d rubbed off the skin around his bonds, there was no blood. There was also no blood on his other wounds. . . . He was writhing like an animal; a gag muffled his growls. At first the villagers tried to hold me back. They warned me not to touch him, that he was ‘cursed.’ I shrugged them off and reached for my mask and gloves. The boy’s skin was . . . cold and gray . . . I could find neither his heartbeat nor his pulse.” —Dr. Kwang Jingshu, Greater Chongqing, United Federation of China“‘Shock and Awe’? Perfect name. . . . But what if the enemy can’t be shocked and awed? Not just won’t, but biologically can’t! That’s what happened that day outside New York City, that’s the failure that almost lost us the whole damn war. The fact that we couldn’t shock and awe Zack boomeranged right back in our faces and actually allowed Zack to shock and awe us! They’re not afraid! No matter what we do, no matter how many we kill, they will never, ever be afraid!” —Todd Wainio, former U.S. Army infantryman and veteran of the Battle of Yonkers“Two hundred million zombies. Who can even visualize that type of number, let alone combat it? . . . For the first time in history, we faced an enemy that was actively waging total war. They had no limits of endurance. They would never negotiate, never surrender. They would fight until the very end because, unlike us, every single one of them, every second of every day, was devoted to consuming all life on Earth.” —General Travis D’Ambrosia, Supreme Allied Commander, Europe*From the Hardcover edition.*
EDITORIAL REVIEW: Launched in November, Dell's Kurt Vonnegut reissue program continues with one of the world's great anti-war books. Centering on the infamous firebombing of Dresden, Billy Pilgrim's odyssey through time reflects the mythic journey of our own fractured lives as we search for meaning in what we are afraid to know.
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From Publishers Weekly
Ragged armies and gods old and new collide in the dizzyingly complex penultimate tale of the Malazan Book of the Fallen (following 2008's Toll the Hounds). After a traumatic reading of the tiles, Adjunct Tagore of the Malazan decides to quit the Letherii capital. To placate neighboring territories, Brys Beddict and a contingent of Letherii escort Tagore and her army through the Wastelands on their way to the port of Kolanse. The Barghast find their own reasons to head for the Wastelands, as do the T'lan Imass, a group of bloodthirsty Jaghut, and the army of the K'Chain Che'Malle. Gods tweak the players on this continent-sized chess board even as they themselves are manipulated. Erickson begins to reel in the long lines of his huge plot, giving enough hints to leave readers impatient for the 10th volume. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From
In the ninth Malazan Book of the Fallen volume, the last remnant of the Malazan Empire, in exile on the continent of Letherii, marches east against unknown but undoubtedly formidable foes. If the soldiers see themselves and their empire as fallen, they even more certainly see themselves bound by oaths and comradeship to keep faith with one another until the last enemy is identified, met, and, if possible, overcome. If not, their oaths are still binding. There is herein a quality reminiscent of the 300 Spartans coming to the fore that, added to the complexity and grandeur of the world-building, is downright enthralling. --Roland Green