SUMMARY: A relentless horde of renegade robots has plunged the fate of Xanth in dire peril. All that stands between the enchanted land and destruction is a most unlikely hero, a moody, mild-mannered Goblin named Goody, who must summon all of his courage and determination to overcome this abominable army of automatons. Brimming with heart-stopping adventure and heart-warming delight, overflowing with wicked wit and wanton wordplay, Pet Peeve is Piers Anthony in rare form, an exceptional new chapter in the continuing chronicles of Xanth.
In this sequel to 2009's Naamah's Kiss, Moirin, the devoted servant of a sex goddess, journeys across half of a fantasy version of Asia in search of her soulmate, Bao. In Tatar territory, she finds Bao... and his wife. His father-in-law, the Great Khan, is willing to go to great extremes to keep Bao and Moirin apart. Captured by the fanatic Patriarch of Riva, Moirin escapes to find that Bao has vanished again, this time headed toward the distant lair of the Spider Queen and her army of assassins. The romantic tale is marred by Moirin's narcissistic awareness that she is destined for a glorious fate that lesser mortals like Bao's jealous wife may only envy. Carey's storytelling ability is top-notch, however, and readers will applaud her willingness to resolve major plot threads in the middle book of a trilogy. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Still chasing her destiny in the sequel to Naamah's Kiss (2009), Moirin follows the urging of her diadh-anam across Tatar territory, looking for Bao, her Ch'in lover, who holds the other half of her divine soul-spark. She finds him married to the Great Khan's daughter, and their plans to smooth this wrinkle go disastrously wrong when the Great Khan arranges to have Moirin kidnapped by fanatical, pious Vralians, while Bao is led into the lands of the Spider Queen. Though this book is packed with new people, new lands, and new gods, the pacing is slow and the tone reflective. Carey's involving depictions of several religions also grow rather pointed. While Bao is never present long enough to gain depth, Moirin grows in strength and compassion, confronting several interesting crossroads in her faith and her way of life. Despite a “middle book” feel, series fans will love it, and an ominous warning about Raphael de Merliot, whom Moirin must “reckon with,” gives us something to look forward to in the next book. --Krista Hutley
SUMMARY: He held the fate of two worlds in his hands... Once he was an orphan called Pug, apprenticed to a sorcerer of the enchanted land of Midkemia... Then he was captured and enslaved by the Tsurani, a strange, warlike race of invaders from another world.There, in the exotic Empire of Kelewan, he earned a new name--Milamber. He learned to tame the unnimagined powers that lay withing him. And he took his place in an ancient struggle against an evil Enemy older than time itself.From the Paperback edition.
SUMMARY: The international bestseller, finally in paperback! "Time "magazine's #1 book of the year - 11 weeks and counting on the "New York Times" bestseller list - Shortlisted for the "Guardian "First Book Award - Longlisted for the Booker prize - A Book Sense pick - "People "Top Ten Books of the year - Salon.com Top Ten of 2004 - "New York Times "Notable Books of the Year - "Christian Science Monitor" Best Fiction 2004 - Nancy Pearl's Top 12 Books of 2004 - "Washington Post" "Book World "Best of 2004 -" San Francisco Chronicle" Best Books of 2004 - "Chicago Tribune "Best of 2004 - "Seattle Times "25 Best Books of 2004 - "Atlanta Journal-Constitution "Top 12 Books of 2004 -" Village Voice" "Top Shelf" -" Raleigh News & Observer "Best of 2004 - "Rocky Mountain News "critics' favorites of 2004" "- "Kansas City Star" 100 Noteworthy Books of 2004 -" Fort Worth Star-Telegram" 10 Best Books of 2004 -" Hartford Courant" Best Books of 2004 Susanna Clarke's brilliant first novel is an utterly compelling epic tale of nineteenth-century England and the two very different magicians who, as teacher and pupil and then as rivals, emerge to change its history. Sold in 21 languages, with a major motion picture from New Line on the way, "Jonathan Strange & Mr Norrell "is a tour de force that has captured the imagination of readers worldwide. Susanna Clarke was born in Nottingham, England, in 1959, the eldest daughter of a Methodist minister. She was educated at St Hilda's College, Oxford, and has worked in various areas of nonfiction publishing. She has published a number of short stories and novellas in American anthologies, including "Mr Simonelli, or the Fairy Widower," which was shortlisted for a World Fantasy Award in 2001. Susanna lives in Cambridge with her partner, the novelist and reviewer Colin Greenland. A" New York Times "Notable Book of the YearA "Chicago Tribune" Best Book of 2004 In "Jonathan Strange & Mr. Norrell" we find a debut novel marked by wonderfully vivid details, enchanting characters, and fantastic yet familiar situations--a grand and engrossing saga that reads, as "Salon.com" has noted, much like "when Harry Potter met Jane Austen." English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while the fairy servants are nothing but a fading memory. But at Hurtfew Abbey in Yorkshire, the rich, reclusive Mr. Norrell has assembled a wonderful library of lost and forgotten books from England's magical past and regained some of the powers of England's magicians. He goes to London and raises a beautiful young woman from the dead. Soon he is lending his help to the government in the war against Napoleon Bonaparte, creating ghostly fleets of rain-ships to confuse and alarm the French. All goes well until a rival magician appears. Jonathan Strange is handsome, charming, and talkative--the very opposite of Mr. Norrell. Strange thinks nothing of enduring the rigors of campaigning with Wellington's army and doing magic on battlefields. Astonished to find another practicing magician, Norrell accepts Strange as a pupil. But it soon becomes clear that their ideas of what English magic ought to be are very different. For Norrell, such power is something to be cautiously controlled, while Jonathan Strange will always be attracted to magic's wildest, most perilous forms. He becomes fascinated by the ancient, shadowy figure of the Raven King, a child taken by fairies who became king of both England and Faerie, and the most legendary magician of all. Eventually Strange's heedless pursuit of long-forgotten magic threatens to destroy not only his partnership with Norrell, but everything that he holds dear. Sophisticated, witty, and ingeniously convincing, Susanna Clarke's magisterial and widely celebrated novel weaves magic into a flawlessly detailed vision of English history. "A gorgeous book of unforgettable images."--"People""What kind of magic can make an 800-page novel seem too short? Whatever it is, debut author Susanna Clarke is possessed by it."--"USA Today""Combines the dark, wild spirit of English fantasy with the grand wit and high style of the 19th-century social novel . . . A grand performance--and the most sparkling literary debut of the year."--Laura Miller, "Salon""This book delivers splendid and unpredictable surprises . . . [It] also contrives witty interactions between its characters and real, renowned figures of the period . . . [Clarke presents] a brand new fantasy world, an intricate and fully imagined universe of bewitching tricks."--Janet Maslin, "The New York Times" "I admire Susanna Clarke's imaginative dexterity and deeply enjoyed "Jonathan Strange & Mr. Norrell" . . . [This book is] magnificent and original, and that should be enough for any of us."--Michael Dirda, "The Washington Post Book World""The drawing-room social comedies of early 19th-century Britain are infused with the powerful forces of English folklore and fantasy in this extraordinary novel of two magicians who attempt to restore English magic in the age of Napoleon. In Clarke's world, gentlemen scholars pore over the magical history of England, which is dominated by the Raven King, a human who mastered magic from the lands of faerie. The study is purely theoretical until Mr. Norrell, a reclusive, mistrustful bookworm, reveals that he is capable of producing magic and becomes the toast of London society, while an impetuous young aristocrat named Jonathan Strange tumbles into the practice, too, and finds himself quickly mastering it. Though irritated by the reticent Norrell, Strange becomes the magician's first pupil, and the British government is soon using their skills. Mr. Strange serves under Wellington in the Napoleonic Wars (in a series of wonderful historical scenes), but afterward the younger magician finds himself unable to accept Norrell's restrictive views of magic's proper place and sets out to create a new age of magic by himself. Clarke manages to portray magic as both a believably complex and tedious labor, and an eerie world of signs and wonders where every object may have secret meaning. London politics and talking stones are portrayed with equal realism and seem indisputably part of the same England, as signs indicate that the Raven King may return. The chock-full, old-fashioned narrative (supplemented with deft footnotes to fill in the ignorant reader on incidents in magical history) may seem a bit stiff and mannered at first, but immersion in the mesmerizing story reveals its intimacy, humor, and insight, and will enchant readers of fantasy and literary fiction alike."--"Publishers Weekly" (starred review) "Rival magicians square off to display and match their powers in an extravagant historical fantasy . . . English author Clarke's spectacular debut is something far richer than [Harry] Potter: an absorbing tale of vaulting ambition and mortal conflict steeped in folklore and legend, enlivened by subtle characterizations and wittily congenial omniscient authorial presence . . . Clarke sprinkles her radiantly readable text with faux-scholarly (and often hilarious) footnotes while building an elaborate plot that takes Strange through military glory, unsuccessful attempts to cure England's mad king, travel to Venice and a meeting with Lord Byron, and on a perilous pursuit of the fabled Raven King, former ruler of England, into the world of Faerie, and Hell. There's nothing in Tolkein, Mervyn Peake, or any of their peers that surpasses the power with which Clarke evokes this fabulous figure's tangled 'history.' The climax, in which Strange and Norrell conspire to summon the King, arrives--for all the book's enormous length--all too soon. An instant classic, one of the finest fantasies ever written."--"Kirkus Reviews" (starred review)
The Wise Man's Fear continues the mesmerizing slow reveal of the story of Kvothe the Bloodless, an orphaned actor who became a fearsome hero before banishing himself to a tiny town in the middle of Newarre. The readers of Patrick Rothfuss's outstanding first book, The Wise Man's Fear makes up day two, and uncovers enough to satisfy readers and make them desperate for the full tale, from Kvothe's rapidly escalating feud with Ambrose to the shockingly brutal events that mark his transformation into a true warrior, and to his encounters with Felurian and the Adem. Rothfuss remains a remarkably adept and inventive storyteller, and Kvothe's is a riveting tale about a boy who becomes a man who becomes a hero and a killer, spinning his own mythology out of the ether until he traps himself within it. Drop everything and read these books. --Daphne Durham
Author One-on-One: Patrick Rothfuss and Brandon Sanderson The Wise Man's Fear) and
Author Q&A with Patrick Rothfuss
Q: Your first novel, The Name of the Wind introduces the hero (or some may say anti-hero) Kvothe as a larger-than-life living legend.
A: I don't know if I'd call him larger-than-life. His reputation is larger-than-life, certainly. The man himself is remarkably life-sized. I think that's part of the reason people like him.
Q: How did you create him?
A: I got the idea for Kvothe after I finished reading Cyranno De Bergerac for the first time. I was completely knocked over by that character. He was passionate, arrogant, witty, clever, a fighter, a poet, a philosopher. He was compelling and interesting, and a bit of a bastard, but you loved him and felt sorry for him. I remember thinking, "Why haven't I ever read a fantasy novel with a character this good?"
Shortly after that I read Casanova's memoirs. That's when I realized that autobiography could be really compelling so long as the person's life is exciting, and their personality is interesting.
Those two things might not have been the seed for the book, they were certainly around when the seed was sprouting....
Q: What contemporary superhero would you put Kvothe up against?
A: Batman.
Q: Who would win?
A: Ah hell. If we're talking about Kvothe as he appears in the second book. Batman would probably come out on top. I'd say Kvothe would only have about a 30% chance of pulling off the win there.
But even if Batman did win, he'd walk away with a limp.
Q: Kvothe leads readers through the entire series—from the storytelling, to the action, to the inner monologue. Are there any similarities between Kvothe and yourself?
A: A few. But less than people typically think. People are always saying, "Why do you hate poets so much?" I have to remind them that Kvothe is the one with that particular grudge.
But yeah. There are a few similarities. We both have the bad habit of expressing ourselves freely and clearly when it would be better to keep our mouths shut.
Q: Fans love the books and are fascinated by the characters, but you’ve also garnered a cult-like following. Can you tell us what that’s like?
A: I've got a cult? That's awesome. Do they have robes and stuff? Do we have baccanals? We better have baccanals. If I have cult it better old-school. Dionysian. Orgiastic. If I find out they're just drinking tang and handing out pamphlets on streetcorners I'm going to be pissed.
Q: When did you realize that you wanted to become a writer?
A: I’ve known I wanted to be a writer for a long time. Since forever. I started my first fantasy novel when I was 15 or so. It wasn’t very good, of course. In fact, it was horrible. Beyond horrible. It had cat-man samurai in it. I'm not even kidding. But it was a good learning experience. The mistakes I made in that novel taught me a lot about writing. Generally speaking, our failures teach us more than our successes. Part of the reason The Name of the Wind turned out so good is because I made so many rookie mistakes in that first, horrible novel.
Q: Did any of your experiences in college influence some of the scenes at the University?
A: No. Not really. You're making that whole Pat/Kvothe mistake again. He's the one with the red hair. I'm the one with the beard.
A lot of people assume that because I spent 11 years in college, I based the University off my experiences as a student. It's a reasonable thought, but it couldn't be further from the truth. It wouldn't have taken me nearly so long to write this book I was just stealing things out of the real world.
The truth is, I find stories that are thinly-veiled autobiography pretty tiresome. Authors inevitably put something of themselves into a book, but that doesn't mean you should turn your 3rd grade math teacher into a villain in a desperate attempt to get revenge. I've read books like that in the past. They're terrible.
Q: What was the best class you took in all that time?
A: Basic Critical Thinking. This is usually taught as a philosophy class at most universities, but in my opinion it should be required for every college student.
You see, everyone assumes they know how to think rationally, but most people don't. We are emotional, messy-headed creatures. And even very clever, well-informed people can be very stupid when it comes to dealing with things in a rational, critical way.
I've had people try to have arguments with me. They say things like, "What you have to realize is that logically..." and then they spout off the most ridiculous bullshit. They don't know what logic is. They think that if they feel strongly about something, it's logic. They think if they grew up believing it, it's logic.
I had a guy try to convince me that ESP was real because he was thinking about his girlfriend before the phone rang. Not only was he sure he was right, but he was absolutely certain that he was providing a crushing argument. He felt unassailable in his reasoning.
All I could think was, 'Sweet baby Jesus. That's a post hoc fallacy. You're trying to convince me using faulty logic that Aristotle was making fun of over 2000 years ago.' Maybe that shit works in whatever N-sync chatroom you grew up in. But don't bring it round here. Here we have rational discourse. You want to sit at the grown-up table, you learn the rules.
Q: The structure of your story is different than most fantasy novels. Why did you choose to write your book that way?
A: Everyone always seems so surprised by the framed story, but it isn't anything new. The Princess Bride is a framed tale. The Arabian Nights is a framed tale.... Taming of the Shrew is a... well... it's half a framed tale.
As for the first person, it’s the most natural form of storytelling there is. When you tell your friend a story, you say, "I almost got hit by a truck today.” You don't hide behind third person.
Yeah. Sure. Most novels are written a different way. Tradition. The Aristotelian unities. Three act structure. What do I care about that? I'm not doing a paint-by-numbers here. I'm not doing a connect-the-dots. I’m looking to tell a different type of story here. I'll do it my way.
Q: The first edition of The Name of the Wind was released in 2007. What kinds of projects have you been involved with over the past 3 years, besides writing The Wise Man's Fear, the long-awaited and highly anticipated sequel?
A: Let's see...
I started a charity called Worldbuilders. Fantasy authors and publishers donate books that we use to encourage people to donate to Heifer International. In the last three years we've raised over half a million dollars for Heifer International.
I also wrote a not-for-children picture book illustrated by my friend Nate Taylor. It turned out amazing. I think of it as Calvin and Hobbes meets Coraline meets Edward Gorey.
Oh. And I had a baby. Does that count as a project? I think it counts as a project.
Q: What’s next for Kvothe and the Kingkiller Chronicle?
A: Explosions. Gunfights. Moonlit swordfights across rooftops. Johnny Depp. Naked supermodels. Kung-fu. Car chases. A thousand elephants.
Actually, that's all a lie. I don't believe in spoilers.
Still, I think it's safe to say that Kvothe grows up a bit in the second book. There's a big difference between the story of a young boy and the story of a young man. It wouldn't be realistic to have twelve-year-old Kvothe doing much swashbuckling. But sixteen-year-old Kvothe? Yeah. It's safe to say that he'll be buckling a little swash.
Starred Review. As seamless and lyrical as a song from the lute-playing adventurer and arcanist Kvothe, this mesmerizing sequel to Rothfuss's 2007's debut, The Name of the Wind, is a towering work of fantasy. As Kvothe, now the unassuming keeper of the Waystone Inn, continues to share his astounding life story—a history that includes saving an influential lord from treachery, defeating a band of dangerous bandits, and surviving an encounter with a legendary Fae seductress—he also offers glimpses into his life's true pursuit: figuring out how to vanquish the mythical Chandrian, a group of seven godlike destroyers that brutally murdered his family and left him an orphan. But while Kvothe recalls the events of his past, his future is conspiring just outside the inn's doors. This breathtakingly epic story is heartrending in its intimacy and masterful in its narrative essence, and will leave fans waiting on tenterhooks for the final installment. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.
Github | Docker | Project
SUMMARY: A relentless horde of renegade robots has plunged the fate of Xanth in dire peril. All that stands between the enchanted land and destruction is a most unlikely hero, a moody, mild-mannered Goblin named Goody, who must summon all of his courage and determination to overcome this abominable army of automatons. Brimming with heart-stopping adventure and heart-warming delight, overflowing with wicked wit and wanton wordplay, Pet Peeve is Piers Anthony in rare form, an exceptional new chapter in the continuing chronicles of Xanth.