Moorcock is off at full throttle. Every scene has ironic meaning. A couple of minor stories, and we're into the lush, manic rush to Armageddon that is STORMBRINGER! Still the greatest plot on the planet, build and build until the final, cataclysmic - and said to be the best in all fantasy fiction - ending, which is completely stunning. Long before Pullman won the Whitbread Moorcock was offering this mad, bad and thoroughly humane fantasy to the world. He remains a giant.
SUMMARY: After much wandering and seeking Elric finally discovers the location of the sorcerer who had earlier inconvenienced him. A meeting of old friends and scattered brothers evolves into a union of vengeance. A demon sent hoping to devour an albino is thwarted, but it's master's aim's are met with Elric's capture. A bargain made with a well intentioned merchant wins Elric his freedom, but only half of him is allowed to escape. Elric restored with his symbiotic blade calls upon unholy aide to finally vanquish his meddlesome sorceress enemy. The final assault brings a grievous death as the dragon caves will no longer have a master. A promise broken and an unwanted soul taken by Elric's hungry companion. Another hollow victory causes Elric much discomfort.
SUMMARY: Elric of Melnibonè, proud prince of ruins, last lord of a dying race, wanders the lands of the Young Kingdoms in search of the evil sorcerer Theleb K'aarna. His object is revenge. But to achieve this, he must first brave such horrors as the Creatures of Chaos, the freezing wilderness of World's Edge, the golden-skinned Kelmain hordes, King Urish the Seven-fingered with his great cleaver Hackmeat, the Burning God, the Sighing Desert, and the terrible stone-age men of Pio. Although Elric holds within him a destiny greater than he could ever know, and controls the hellsword Stormbringer, stealer of souls, his task looks hopeless - until he encounters Myshella, Empress of the Dawn, the sleeping sorceress...
In The Weird of the White Wolf, Elric returns to Imrryr after a long journey and confronts Yyrkoon, who usurped the throne in his absence. Yyrkoon has regained Mournblade through unknown means and uses it to attack. Elric and Stormbringer kill Yyrkoon, and no further mention is made of Mournblade until it is later disclosed that it was recovered by the Seers of Nihrain, to be wielded by Elric's cousin, Dyvim Slorm. Imrryr is sacked, though the pillagers' fate is not much better, being pursued by the golden battle barges and the few dragons who were awakened, led by Dyvim Tvar. Only Elric's ship escapes, propelled by the aid of his sorcery.
SUMMARY: Forced to flee his city of Melnibone, Elric and his sorcerous blade Stormbringer journey through barren hills to the edge of a black sea. Elric finds a dark ship and begins a voyage that will bring him face-to-face with all the champions Time can summon--and more. Reissue.
SUMMARY: Elric of Melniboné is a requisite title in the hard fantasy canon, a book no fantasy fan should leave unread. Author Michael Moorcock, already a major player in science fiction, cemented his position in the fantasy pantheon with the five-book Elric saga, of which Elric of Melniboné is the first installment. The book's namesake, the brooding albino emperor of the dying nation of Melniboné, is a sort of Superman for Goths, truly an archetype of the genre. The youthful Elric is a cynical and melancholy king, heir to a nation whose 100,000-year rule of the world ended less than 500 years hence. More interested in brooding contemplation than holding the throne, Elric is a reluctant ruler, but he also realizes that no other worthy successor exists and the survival of his once-powerful, decadent nation depends on him alone. Elric's nefarious, brutish cousin Yrkoon has no patience for his physically weak kinsman, and he plots constantly to seize Elric's throne, usually over his dead body. Elric of Melniboné follows Yrkoon's scheming, reaching its climax in a battle between Elric and Yrkoon with the demonic runeblades Stormbringer and Mournblade. In this battle, Elric gains control of the soul-stealing Stormbringer, an event that proves pivotal to the Elric saga. --Paul Hughes
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Moorcock is off at full throttle. Every scene has ironic meaning. A couple of minor stories, and we're into the lush, manic rush to Armageddon that is STORMBRINGER! Still the greatest plot on the planet, build and build until the final, cataclysmic - and said to be the best in all fantasy fiction - ending, which is completely stunning. Long before Pullman won the Whitbread Moorcock was offering this mad, bad and thoroughly humane fantasy to the world. He remains a giant.